Author Archives: Peter Hollo

reviews round-up

My 2017 album the night is dark, the night is silent, the night is bright, the night is loud received a number of reviews in some unexpected places.

I was super pleased that one of Australia's best music writers, Kate Hennessy, selected the album for her Music you missed Guardian Australia column covering the last quarter of 2017. I love these words so much I'll quote most of the review:

Solo, he adds piano, laptop and a loop pedal to the perambulations of his trusty cello, and the variety of these compositions is pretty incredible, as though a whole cast were involved. It’s seamless, too, best evidenced when fluttering breaks only briefly rupture the tranquil surface of Begin.

Parallels are lazy but in this case, it’s illustrious company. There is The Necks on the portentous plucks of Lockstep; The Dirty Three with a dash of Arthur Russell in the rocky, amplified strings of Copra.

The song Descent does just that, sending you down into a mongrel of free jazz percussion, icy synth and a room-clearing buzz of power electronics. Untethered, meanwhile, slips under your guard by stitching together the residue of emotion that clings to fading notes.

I was very pleased to appear in the Monthly Music Wrap for October 2017, by another of our best music writers, Anwen Crawford: "Hollo’s primary instrument is cello, which he plays expansively, sometimes as a string instrument and at other times like percussion, looping the various sounds so that the album is full of darkly melancholic string melodies and assertive rhythms."

A very interesting review at Sputnik Music talks about the the album's effect on the listener's perception of time, and in summing up says: "I could reinstate that there are moments of menace lodged inside moments of earnestness, or that certain images seem to burn themselves into my retinae as I listen, but the truth is that The Night Is Dark, The Night Is Silent, The Night Is Bright, The Night Is Loud is as disorienting as it is stunning."

Sydney Scoop said "This collection of ominous and restless pieces is like bottled darkness", and helpfully described it thus: "Ostensibly a neo-classical release, but heavily influenced by ambient and industrial music, folk, and even breakbeat electronica".

Prog site It Djents singles out a few tracks: "The pacing is again marvellous, giving even the most jarring parts of 'descent' enough room to make the listener thoroughly acquainted with them; even the ending, in which the track collapses in on itself again, is tastefully and deliberately orchestrated".

The lovely folks at Norman Records have given it a write-up too: "Cello unravels as electronics hover, then flutter just when you want them to, but not necessarily as expected".

And over at a closer listen, we're told that "The album is a primer on what a cello might do when no one is looking, and how raw its notes can become".

Canberra album launch, Oct 21st

Really glad to be playing a show in Canberra to launch my new album. I'll be joined by my Tangents cohorts Shoeb & Evan doing a Spartak set, which is incredibly exciting for me as they don't play in that format that often anymore, and I've been a fan forever. And there'll be an amazing set from Alphamale aka Hannah de Feyer, who plays viola in Shoeb's solo band!

Tickets available here.

Sydney album launch, Oct 19th

My new album the night is dark, the night is silent, the night is bright, the night is loud is out on the 12th of October via Art As Catharsis, and I'm going to be launching it at Venue 505 on Cleveland St in Sydney. Get your tickets here!

Support will come from my wonderful & talented friends / cohorts Sophie Hutchings playing a solo piano set, and Alon Ilsar playing a solo set with his mind-boggling Air Sticks.

the night is dark, the night is silent, the night is bright, the night is loud

My new album is coming out on the 12th of October!
Pre-order is up now:

There's a lovely CD edition and digital. Thanks to the wonderful Art As Catharsis for helping me put it out.
Launch gigs coming soon…

New album coming soon!

Live video of new track Solace

Recently Lachlan Dale of Art as Catharsis invited me to perform at an excellent eclectic gig at the Hideaway Bar in Enmore. I opened the gig with a new track called "Solace", which he video'd and has now kindly uploaded. So here's something entirely new, performed on cello and loop pedal through a bass amp:

Remix of Julien Marchal

When I collaborated with pleq (see here) on his remix of Ben Lukas Boysen, there was also some beautiful additional piano contributed by French pianist Julien Marchal. We vowed to work together more in the future, and Julien kindly invited me to remix one of his pieces from his album INSIGHT II (and prodded me when I dragged my feet).

So here it finally is! There is also a Q&A available at Julien's site with some, er, "insight" into the creative process behind this remix, and my work more broadly.

Collaboration with pleq

Finally available is the new EP from Polish artist Bartosz Dziadosz aka pleq, featuring one track for which I recorded some multi-tracked cello parts. It's a beautiful slowed-down remix of a Ben Lukas Boysen (aka Hecq), the original piano augmented by French pianist Julien Marchal. The overdubbed parts were improvised in our respective studios by us, and Bartosz added washes of sound and extra-twinkly production.

A video of our track was made by Ken Hirama.

The EP is available on Canadian post-classical/electronic label Moderna Records now:

vale – new track for streaming

A couple of years ago I recorded an album over two weekend sessions at the beautiful Music Feeds Studio, with engineering and mixing help from Chris Hancock. It's less electronic than a lot of my other stuff – much of it was aimed at realising my multi-layered looping pieces in lush acoustic multi-tracked recordings.
But the other half are extravagant pieces jammed, overdubbed, mixed and overdubbed right there in the studio.

I'm yet to release the album – entitled the night is dark, the night is silent, the night is bright, the night is loud. Once I've remixed a few tracks a little bit, I'll send it out into the world (maybe a like-minded label will help me there)… In the meantime, you can stream this track, which mixes up faux-guitar cello, rapturous arco fragments, helium harmonics and a couple of field recordings.

the ebb and flow

Superlux Photos_32
I've been working on some music in collaboration with Damian Gascoigne, who, as well as being the director of UTS's Bachelor of Design Animation, is a talented and groundbreaking animator in his own right. The first public fruits of his current work are currently showing as a projection-mapped installation on the beautiful spiral staircase inside Customs House in Sydney as part of SuperLux (Smart Light Cities) – and you should be able to hear an ambient looping version of my music as part of the installation.

In conjunction, I've released a two-track single featuring the original track and an extended, further-manipulated ambient dub mix as a pay-what-you-like single on Bandcamp: